Siêu thị đồ chơi trẻ em. Siêu thị Nhí cam kết chỉ bán những đồ chơi chất lượng tốt, phù hợp với trẻ em Việt Nam và không độc hại.
Bach for Babies - Nhạc cổ điển của Bach cho bé yêu
Designed for infants and toddlers (1 to 36 months), Baby Bach is a nicely produced video that features recognisable, familiar toys and colorful objects, moving to the beautiful music of Johann Sebastian Bach. According to the video producers, "Bach's music has shown to enhance creativity, improve academic achievement, reduce anxiety and heighten mental awareness." Any parent will embrace this theory. Not only did this video completely captivate a 22-month-old for its entire 30-minute run-time, but it's easy on the parents, too. The images are lively, clean, and sharp, and producers The Baby Einstein Company have a firm handle on what interests babies and toddlers. The extraneous segment with two pretty little blonde girls is silly, but forgivable. Given that most children elect to watch a video repeatedly, this is one that parents won't mind in the slightest.
| 1. Partita for Keyboard no 1 in B flat major, BWV 825: Prelude (2:05) | ||
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Partita For Keyboard | |
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BWV 825 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Jean Louis Steuerman (Piano) | |
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Baroque Period / Partita / Prelude | |
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1726-1731 | |
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Baroque | |
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Leipzig, Germany | |
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Studio | |
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This selection is an ADD recording. | |
| 2. Partita for Keyboard no 1 in B flat major, BWV 825: Menuet I & II (1:24) | ||
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Partita For Keyboard | |
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BWV 825 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Jean Louis Steuerman (Piano) | |
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Baroque Period / Minuet / Partita | |
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1726-1731 | |
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Baroque | |
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Leipzig, Germany | |
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Studio | |
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This selection is an ADD recording. | |
| 3. English Suite no 3 in G minor, BWV 808: Gavotte (3:08) | ||
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English Suite | |
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BWV 808 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Sviatoslav Richter (Piano) | |
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Baroque Period / Gavotte / Suite | |
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circa 1715 | |
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Baroque | |
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Weimar, Germany | |
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Studio | |
| 4. French Suite no 6 in E major, BWV 817: Allemande (2:51) | ||
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French Suite | |
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BWV 817 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Sviatoslav Richter (Piano) | |
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Allemande / Baroque Period / Suite | |
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circa 1724 | |
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Baroque | |
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Leipzig, Germany | |
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Studio | |
| 5. Suite for Cello solo no 3 in C major, BWV 1009: 5th movement, Bouree (3:40) | ||
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Suite For Cello Solo | |
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BWV 1009 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Pepe Romero (Guitar) | |
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Baroque Period / Bouree / Suite | |
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circa 1720 | |
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Baroque | |
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Cöthen, Germany | |
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Studio | |
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Transcribed: Pepe Romero | |
| 6. Prelude in D minor (1:28) | ||
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Johann Sebastian Bach (1685 - 1750) | |
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Celedonio Romero (Guitar) | |
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Baroque Period / Prelude | |
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Baroque | |
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Studio | |
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Transcribed: Celedonio Romero This selection is an ADD recording. |
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| 7. Suite for Orchestra no 2 in B minor, BWV 1067: Badinerie (1:30) | ||
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Suite For Orchestra | |
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BWV 1067 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Sir Neville Marriner | |
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William Bennett [flute] (Flute) | |
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Badinerie / Baroque Period / Overture / Suite | |
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Academy of St. Martin in the Fields | |
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Baroque | |
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Leipzig, Germany | |
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Studio | |
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This selection is an ADD recording. Composition written: Leipzig, Germany (1738 - 1739). |
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| 8. Brandenburg Concerto no 5 in D major, BWV 1050: 3rd movement (5:16) | ||
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Brandenburg Concerto | |
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BWV 1050 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Henryk Szeryng (Violin) Jean-Pierre Rampal (Flute) George Malcolm (Harpsichord) |
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Baroque Period / Concerto | |
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1720-1721 | |
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Baroque | |
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?Cöthen, Germany | |
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Studio | |
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This selection is an ADD recording. | |
| 9. Well-Tempered Clavier, Book 1: Prelude and Fugue no 3 in C major, BWV 848 (8:43) | ||
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Prelude And Fugue, Well Tempered Clavier Book 1 | |
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BWV 848 | |
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Johann Sebastian Bach (1685 - 1750) | |
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John Lewis (Piano) Howard Collins (Guitar) Marc Johnson (Double Bass) |
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Baroque Period / Fugue / Prelude | |
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1722 | |
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Baroque | |
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Cöthen, Germany | |
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Studio | |
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Arranged: John Lewis | |
| 10. Well-Tempered Clavier, Book 1: Prelude and Fugue no 2 in C minor, BWV 847 (3:55) | ||
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Prelude And Fugue, Well Tempered Clavier Book 1 | |
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BWV 847 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Baroque Period / Fugue / Prelude | |
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1722 | |
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Canadian Brass | |
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Baroque | |
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Cöthen, Germany | |
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Studio | |
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Arranged: Luther Henderson | |
| 11. Brandenburg Concerto no 3 in G major, BWV 1048: 1st movement, Allegro (5:34) | ||
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Brandenburg Concerto | |
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BWV 1048 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Sir Neville Marriner | |
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Baroque Period / Concerto | |
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1711-1713 | |
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Academy of St. Martin in the Fields | |
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Baroque | |
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?Weimar, Germany | |
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Studio | |
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This selection is an ADD recording. | |
| 12. Suite for Cello solo no 4 in E flat major, BWV 1010: 5th mvt, Bouree (3:40) | ||
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Suite For Cello Solo | |
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BWV 1010 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Celedonio Romero (Guitar) | |
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Baroque Period / Bouree / Suite | |
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circa 1720 | |
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Baroque | |
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Cöthen, Germany | |
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Studio | |
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Transcribed: Celedonio Romero | |
| 13. Partita for Keyboard no 1 in B flat major, BWV 825: Gigue (1:25) | ||
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Partita For Keyboard | |
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BWV 825 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Jean Louis Steuerman (Piano) | |
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Baroque Period / Gigue / Partita | |
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1726-1731 | |
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Baroque | |
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Leipzig, Germany | |
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Studio | |
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This selection is an ADD recording. | |
| 14. Fugue in G minor, BWV 578 "Little G minor" (3:26) | ||
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BWV 578 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Baroque Period / Fugue | |
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by 1706 | |
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Canadian Brass | |
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Baroque | |
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Arnstadt, Germany | |
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Studio | |
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Arranged: R. Romm | |
| 15. Brandenburg Concerto no 4 in G major, BWV 1049: 3rd movement, Presto (4:57) | ||
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Brandenburg Concerto | |
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BWV 1049 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Sir Neville Marriner | |
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Henryk Szeryng (Violin) Michala Petri (Recorder) Elizabeth Selin (Recorder) |
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Baroque Period / Concerto | |
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circa 1720 | |
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Academy of St. Martin in the Fields | |
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Baroque | |
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?Cöthen, Germany | |
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Studio | |
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This selection is an ADD recording. | |
| 16. Well-Tempered Clavier, Book 1: Prelude and Fugue no 1 in C, BWV 846 - Prelude (2:07) | ||
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Well Tempered Clavier Book 1 | |
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BWV 846 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Friedrich Gulda (Piano) | |
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Baroque Period / Prelude | |
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1722 | |
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Baroque | |
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Cöthen, Germany | |
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Studio | |
| 17. Concerto for Oboe in D minor, BWV 1059: Siciliano (3:08) | ||
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Siciliano, Concerto For Oboe | |
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BWV 1059 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Sir Neville Marriner | |
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Heinz Holliger (Oboe) | |
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Baroque Period / Concerto / Siciliana | |
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Academy of St. Martin in the Fields | |
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Baroque | |
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Studio | |
| 18. Partita for Lute in E major, BWV 1006a: 3rd movement, Gavotte en Rondeau (3:14) | ||
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Gavotte En Rondeau, Partita For Lute | |
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BWV 1006A | |
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Johann Sebastian Bach (1685 - 1750) | |
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Maria Graf (Harp) | |
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Baroque Period / Gavotte / Partita | |
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after 1720 | |
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Baroque | |
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Germany | |
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Studio | |
| 19. Sonata for Flute and Harpsichord in E flat major, BWV 1031 (2:13) | ||
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Sonata For Flute And Harpsichord | |
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BWV 1031 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Irena Grafenauer (Flute) Maria Graf (Harp) |
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Baroque Period / Sonata | |
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circa 1734 | |
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Baroque | |
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Leipzig, Germany | |
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Studio | |
| 20. Bist du bei mir (2:52) | ||
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Gottfried H. Stölzel (1690 - 1749) | |
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Barry Rose | |
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Dame Kiri Te Kanawa (Soprano) | |
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Baroque Period / Song | |
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English Chamber Orchestra | |
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Baroque | |
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German | |
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Studio | |
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This work, formerly attributed to J.S. Bach, is currently believed to have been composed by Gottfried Heinrich Stölzel. |
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| 21. Minuet in D minor, BWV Anhung 132 (2:16) | ||
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BWV 132 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Celedonio Romero (Guitar) | |
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Baroque Period / Minuet | |
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Baroque | |
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Studio | |
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This work is no longer believed to have been composed by J.S. Bach. | |
| 22. Suite for Cello solo no 6 in D major, BWV 1012: 5th movement, Gavotte (4:54) | ||
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Suite For Cello Solo | |
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BWV 1012 | |
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Johann Sebastian Bach (1685 - 1750) | |
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Celedonio Romero (Guitar) | |
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Baroque Period / Gavotte / Suite | |
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circa 1720 | |
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Baroque | |
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Cöthen, Germany | |
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Studio | |
Categories: "Bach for Babies - Nhạc cổ điển của Bach cho bé yêu"
Utils: Bach for Babies - Nhạc cổ điển của Bach cho bé yêu
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